Pharaohs

Hieroglyphics could be the best source of investigating tools where to find out the Ethiopians presence in the amazing ancient Egyptian civilization. When I come across to the meaning of some hieroglyphics like 'qeter' for time, 'woha' for fish, truly admired the person who strives to unlock the mystery from that unique and unusual writing system. But he just picked out the sea animal for 'woha' instead of the water and 'qeter' for time, where as its real meaning in todays Ethiopian language is noon. Even some of the ancient ceremonial practices such as burial are parallel with what we can see in Ethiopia today. I am a firm believer that the Pharaohs, the sciences and their languages had been pure Ethiopian, but nothing else.



the following article is copied from ancientweb Click here for more

'About eight hundred years before Christ, the Ethiopian armies began invading Egypt. They were not powerful adversaries, but there was no united power to oppose them. Year after year they won their way further down the Nile, re-assimilating the Egyptian culture as they advanced. They became the chief rulers of upper Egypt. And at length we find the proud record of their king, Piankhi, stating that the princes of lower Egypt, who were at war among themselves, appealed to him as a protector. He assumed the title of Pharaoh, and marching from end to end of the land reduced it all to obedience (727 B.C.). Even the priesthood thankfully accepted him as the one man who could bring order out of all the turmoil. He was crowned at Thebes with all the ancient ceremonials. A Libyan captain had already sat upon the proud throne of the ancient gods; now it was held by an Ethiopian.

More than one of the Pharaohs of this Ethiopian dynasty are mentioned in Bible history. The most important of them after Piankhi was Taharqua, the Biblical Tirhakah. Neither he nor any other ruler succeeded in establishing much authority over the fighting princes, Libyan and Egyptian, who dwelt in the Nile delta, but Tirhakah did gather them all for an incursion into Palestine. There he made alliance with King Hezekiah of Judah and with King Luliya of Tyre, and defeated and plundered the cities which opposed him. He thus brought down upon himself the wrath of the conquering Assyrians, who had seized Syria and Israel, and who objected to having any one but themselves thus snatch the spoils of Asiatic war.'

From Ancient Greece to Samuel Johnston

From Ancient Greece to Samuel Johnston
by Richard Pankhurst

(Source: Addis Tribune)

Ethiopia has long attracted the interest of European creative writers, who have referred to the country in innumerable different ways in their novels, short stories, plays, poems and songs. The object of the present paper is to examine such creative literature chronologically and to place it in historical context.

These works should all be in the Ethiopian Studies Library of the future!

The Ancient Greeks

The first Europeans to employ the term Ethiopia were the ancient Greeks, who used the word to designate all dark-skinned people south of Egypt. The classical authors of Greece made many references to the country. Homer, in the 9th. century BC, wrote in the Odyssey of the Ethiopians as eschatoi andron, or the most remote of men. In Book I of the Iliad he makes Zeus, the king of the gods, leave heaven for twelve days, with all the other gods, to visit the "blameless Ethiopians", while the goddess Iris goes to their country to participate in sacrificial rites to the immortal gods. In the Odyssey the sea god Poseidon is likewise said to have "lingered delighted" at one of the feasts of the Ethiopians.

Almost half a millennium later, in the 5th. century BC, the Greek dramatist Aeschylus had Io, the wandering woman of Prometheus Bound, travel to "a far-off land". It was inhabited by "a nation of black men", who lived near "the fountain of the sun" and the "river Aethiops".

Later again, in the 1st. century BC, the Greek historian Diodorus Siculus observed that the Greek hero Hercules and the Greek god of wine Bacchus were both "awed by the piety of the Ethiopians.

"Loved by the gods"

Later once again, in the 7th. century AD, the Byzantine writer Stephanus Placidus reiterated that the Ethiopians were "loved by the gods because of their justice, and adds:

"Juniper frequently leaves heaven and feasts with them [the Ethiopians] because of their justice and the equity of their customs. For the Ethiopians are said to be the justest of men and for that reason the gods love their abode frequently to visit them".

Such passing references to Ethiopia and the Ethiopians may be supplemented by a more comprehensive Greek work set in Ethiopia, which dates from the 3rd. century AD. It was the romance Aethiopika, which tells of the travels south of Egypt, in all probability to Nubia, of the hero, Theagenes, and heroine, Chariclea. This work was translated into many languages. The earliest and best known version, in English, was translated by Thomas Underdowne, and was first published in London in 1587, with the title An Aethiopian History of Heliodorus.

The Land of Prester John

Medieval European interest in Ethiopia owed much to the belief that it was the mysterious Land of Prester John, as well as the country from which the Queen of Sheba left on her famous visit to Jerusalem. These two beliefs led to the emergence of a considerable literature featuring Ethiopia.

One of the first creative writings about the Land of Prester John was an Italian poem by Giulano Dati, in praise of an unnamed ruler of Ethiopia. It appeared in a small pamphlet entitled Lagran Magnificentia del Preste Ianni Signore dell India Maggiore & della Etiopia, i.e. "The Great Magnificence of the Prester John, Lord of the Greater India and of Ethiopia" (Florence, 1500), which was illustrated with wood-cuts.

The widespread belief in Italy that Ethiopia was in fact the Land of Prester John found expression shortly afterwards in the Italian author Ariosto's Orlando Furioso, which was published in 1515-33. It has its hero flying over the Christian kingdom of Ethiopia.

This was followed half a century later by an anonymous Spanish novel about the loves of an imaginary Ethiopian prince called Luzindaro, who claims he is a prisoner of love.

This work first appeared in a volume entitled Processo de Cartas de Amores... i.e. "Process of Maps of Loves" (Venice, 1553), and was later translated into French, with the more explicit title La complainte et avis, que fait Luzindaro prince d'Ethiopie e l'encontre d'amour, et une dame, i.e. "The Complaint and Advice which Luzindaro, Prince of Ethiopia, made the Encounter with Love, and a Lady" (Antwerp, 1561).

French interest in Ethiopia was shortly afterwards enhanced by the arrival in Europe of an Ethiopian envoy Zaga-za-Ab. This inspired the composition of an anonymous French comic story, La reine d'Ethiopie. Historique Comique. i.e. "The Queen of Ethiopia. Comic Story" (Paris 1570). which was set in the Ethiopian court. The author, clearly wishing to distinguish Ethiopians from negroid Africans, insists that the hero of the story had an aquiline nose and was "without thick lips".

British interest in Prester John led to the publication a generation later of the first English work on the subject. Edward Weble's Rare and Most Wonderful Things (London, 1590).

This was followed by the publication of a further French fictional work on Prester John: Philippe d'Alcripe's La nouvelle fabrique des excellents traits de verite, i.e. "The Novel makes Excellent Qualities of Truth" (Rouen, 1620?). It was long afterwards reprinted in Paris with further information on the Land of Prester John in 1853.

The Queen of Sheba

The legendary account of the Queen of Sheba's visit to Solomon, which impinged on European awareness of Ethiopia, was a further important source of creative writing . One of the earliest literary works on the theme was an anonymous German poet Zwolff Sibylle weissagungen... Die Kunigin von Saba, Kung Solomo gethane Propheccie, i.e. "Twelve Wise Sayings of the Sybils...The Queen of Sheba, King Solomon according to Prophesy" (Frankfurt, 1531) which was enlivened with wood-cuts.

More important, however, was a full-length play on the subject by the renowned Spanish author Dom Pedro Caldéron de la Barca. This work, entitled La Sibila del Oriente, y Gran Regna de Saba, i.e. "The Sybil of the East, or Great Queen of Sheba" (Madrid, 1750), placed the Queen indisputably in Ethiopia - but, curiously, unlike many of his works, has never been translated into English.

Rasselas

The travels of the Portuguese and Spanish Jesuits in late 16th. and early 17th. century gave rise to a new European interest in Ethiopia. The renowned British author and lexicographer Samuel Johnson, who had translated the memoirs of one of the Jesuits, Jeronimo Lobo, wrote his famous allegorical novel The History of Rasselas, Prince of Abyssinia, in 1759. Based largely on Lobo's account, it told the story of Prince Rasselas and his sister Nekayah. They reputedly lived in an Ethiopian "happy valley", where, before their eventual escape, they were "confined in a private palace, with the other sons and daughters of Abyssinian royalty" - until their possible succession to the throne was decided.

Johnson's allegory, over the next two centuries, ran into many translations. These included Bengali in 1833, and in Ethiopia's national language Amharic, in 1946-7.

Johnson's Rasselas also soon inspired a today little-known British authoress, Ellis Cornelia Knight, to write a kind of sequel to it. Entitled Dinarbas: A Tale being a Continuation of Rasselas, Prince of Abyssinia, it appeared in London in 1770, and told of the Ethiopian prince's supposed subsequent travels to Egypt. There he is said to have befriended a young local nobleman called Dinarbas, whose name became the title of the book. This work also ran into several editions, the last in 1823.

French awareness of Ethiopia subsequently resulted in the publication in Paris, in 1789, of yet another literary work set in Ethiopia. Entitled Grandor ou le heros abissin, histoire héros-politique, "i.e. Grandor or the Abyssinian Hero, History of a Political Hero", it told of the imaginary travels of an Ethiopian nobleman called Grandor, and - particularly relevant in the year of the French Revolution - included passages on subjects then bitterly debated in contemporary France, such as Aristocracy, Despotism, and Democracy.

The last Pharaon & the first Roman Emperor

The last Pharaon of Egypt and the dashing Roman general
One of the most famous women in history, Cleopatra VII was the brilliant and beautiful last Pharaoh of Egypt. Although she is often portrayed as a femme fatale, Cleopatra was deeply religious and studied to be a nun. An accomplished mathematician and gifted linguist fluent in nine languages, Cleopatra was also skilled politician popular with her people.

She married her younger brother, Ptolemy, and she became the mistress of the Roman general Julius Caesar. Following Caesar's death, Roman general Marc Antony went to Egypt to advance the growing power of Rome. Cleopatra captivated Antony. Their affair scandalized Roman society and bothered Roman politicians, who were suspicious of Egypt's power.

Yet despite the risks, Antony and Cleopatra married in 36 B.C. The couple planned to conquer Rome. But in 31 B.C. the Roman general Octavian destroyed the combined forces of Antony and Cleopatra in the battle of Actium. Hearing a false report that Cleopatra was dead, Antony fell on his sword. With no hope left, Cleopatra induced a poisonous asp to bite her.

Four thousand years of glorious Pharaonic rule was finally finished. Egypt became a Roman province. Octavian (later Augustus) became the first Roman Emperor, launching a new era in history.

Just dail the numbers up for me ........ Kibebew Gedda

I got so pissed off

The Progress of Literature

"Lucian makes the Ethiopians to have excelled all other nations in wisdom and literature." And, continues Cummings Antiquities: Heliodorus says, that the Ethiopians had two sorts of letters, the one called regal, the other vulgar; and that the regal resembled the sacerdotal characters of the Egyptians."

We have already treated upon that first branch of their literature, hieroglyphics, under the head of Builders of the Pyramids, and we add here, that according to Lucian, "they invented astronomy and astrology, and communicated those sciences, as well as other branches of learning, to the Egyptians. As their country was very fit for making celestial observations, such a notion seems not entirely groundless, though scarce any particulars of their knowledge had reached us."

We present here, copied from Cummings taken from the great History of Ethiopia by that learned Israelite in Ethiopian literature, Job Ludolphus, the regal letters or Royal Ethiopians Alphabet, which none but the kings, priests, royal family and nobility were expected to learn.

The hieroglyphics were the vulgar or common letters, because representing objects or things to the eye, known and understood at sight by the common people, the compositions or combination of which into sentences, could easily be learned by them. Hence, a hawk, for swiftness, meant dispatch or hasty news; a crocodile, for its meanness, meant malice; a serpent, danger; the open right hand, plenty; the closed left hand, safety or security: a jackal, watchfulness or vigilance; an oxen, patience; a sheep, innocence or harmlessness; a dove, love and innocence; a pigeon, news sent abroad; a swallow, news received; a rat or rabbit, caution, to be aware from their ruining habits; a water jug, thirst; the eye, Divine watchfulness, all seeing; water, to run as a stream; land or territory, a country, representing hills and dales, an owl, always ominous and portentious; a dog, friendship, fidelity, faithfulness and trustworthiness; and a cat, companionship, meekness and constancy; a cock, boast or banter; a horse and chariot, preparation for war; all of which readily address themselves to the senses and comprehension of the common people.

The hieroglyphics are letters forming a literature founded upon the philosophy of nature without alphabet; but that which we shall now present is of much higher order, being artificial characters based on metaphysical philosophy of language.

With our limited knowledge in archaeology, we have always believed that the philosophy and root of alphabetical literature had its origin in Africa, or with the Hamite family. We have gone a step aside from this, and claimed that the first sixteen letters of the Greek alphabet, from alpha A to pi II, originated in Africa, as a part of the sacerdotal alphabet, the Greeks adding eight more from ro to omega .

We call attention to the Ethiopian alphabet presented above, the oldest, we believe, on record, if we discard the extraordinary assertion of Confucius, the Chinese historian, who claims for his race, a civilization and literature fifteen thousands years older than the theological period of creation. But happily for our claim, we believe they have no alphabetical arrangement.
The Origin of Race and Color
by Martin R. Delany
1812-1885.

*****To Be More Than Equal
The Many Lives of Martin R. Delany
Explorer
Doctor
Author
Thinker
Trailblazer
First Black Field Officer
in the US Army
And Conscience to All *****